The very first thing taught to the student in a property law class is that what the buyer of real estate is really getting with title transfer is essentially a "bundle of rights" i.e. a set of legal privileges with respect to the property, including the right of possession, the right of control, the right of exclusion, the right of enjoyment, and the right of disposition, among others.
These rights (and sometimes obligations) can be isolated, sliced, diced and studied in ways that are not always understood and appreciated when the purchaser simply states "I own this place." Control may be subject to the rules of a governing HOA or local ordinance. The right of exclusion may be subject to easement. Even aside from the obvious title priority of the mortgage lender, the right of disposition may be conditioned by liens. Just notice what happens should you fail to keep up with your property taxes.
And so it may also apply to your personal property in that what you actually own becomes more defined, refined, and limited in the context of our increasingly digital world. Take the easy example of music. Back in the day, the adolescent Boomer might have "invested" in The White Album and, with it, title interest bestowing something of an "extended self." All an illusion, of course, as albums eventually morphed into streaming, reducing the album to all it really was in the first place i.e. the means for an intangible ephemeral listening experience. The fact that such an experience is now so readily available at a nominal rent would suggest the value of such title interest -- representing the associated bundle of rights -- is virtually nothing (now compare that to our MM 3/29/21 NFTs and the Metaverse discussion where $69 million was paid to acquire the bare title in a non-fungible token for something essentially already in the public domain).
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