Think of your life in terms of performance art, the stage set from your earliest days. You don't see it as a game but it is. The rules of the game are defined from beyond -- your schooling, your religion, your profession. You fixate on the future. Oh, what a good boy am I, or will be.
And then, perhaps, comes the day when you realize no one is really watching your performance, judging you. This notion, far from dispiriting (nothing personal, those audience members are simply preoccupied with their own worlds), is actually liberating. It's the day you can finally, perhaps, claim your own agency, the day you can become more present, the day you can stop performing.
This proposition plays out in our discussion pieces, starting with a six-minute segment by the late English, self-styled “philosophical entertainer” Alan Watts (Alan Watts/Playing The Game of Life), and as further rounded out by David Brooks in a recent Opinion Piece (NYT: Is Life a Story or a Game?). Life is a series of games, you see, all played in the pursuit of what is truly sought -- the insatiable quest for status.
In so doing, Brooks builds on his previous thesis that one’s life can be thought of in terms of two mountains: the first, an ego-based pursuit of worldly success reflected one’s resume; the second, an ego-lessened focus better captured in one’s eulogy (as we discussed in our MM10/7/19) Second Mountain session)….
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