Prometheus was the Greek mythological figure best known for having defied the Olympian gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and civilization. He was condemned to eternal torment for this transgression by being bound to a rock where an eagle would eat his liver only for it to grow back overnight so that it might be eaten again in a daily cycle. In the Western classical tradition, Prometheus represented human striving which carried the risk of overreach or unintended consequences.
American Prometheus is Martin J. Sherwin’s Pulitzer-winning biography of a man – J. Robert Oppenheimer, father of the atomic bomb – consumed by such striving. It was he who pulled this unimaginable nuclear fire out of Einstein’s quantum Olympian blackboard equations to unleash such existential power that it’s synonymous with the very term Armageddon (or nuclear holocaust). The biopic Oppenheimer, released last week to wide acclaim, was based on that story.
You need neither to have read the book nor have watched the film, however, to appreciate the many underlying moral issues raised by that "event" some eighty years ago. Our discussion piece is An Extended Interview With Christopher Nolan as the director of the biopic discusses his painstaking effort to faithfully capture the science and the ambiguous nature of the man behind the program known as the Manhattan Project…
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