Start with a passage from Catch-22:
Dunbar was lying motionless on his back again with his eyes staring up at the ceiling like a doll’s. He was working hard at increasing his life span. He did it by cultivating boredom. Dunbar was working so hard at increasing his life span that Yossarian thought he was dead.
Let us now imagine that mid-twentieth century German philosopher Heidegger’s has been invited onto the pages of Joseph Heller’s satirical novel. The Heidegger of our imagination is now nudging Yossarian aside to observe that Dunbar, far from being dead, is actually closer to “being” than ever before. It is within this state of profound boredom that Dunbar becomes intimately exposed to the structure of existence.
By this means Dunbar now discovers meaningful ways to project himself into the world. Heidegger sees boredom as the means to discover the freedom to choose how we want to act within our world – a reset, if you will, an existence based on thoughtful intentionality, rather than some contrived illusion (click: Heidegger's "Profound Boredom": Cultivating the Soul)…
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