"Barbie" as a litmus test: women were advised by one film reviewer to dump their partner if he fails to "get" the Barbie message; to that, men might be advised to preemptively head for the exits if that take-away message is to simply reassign some asserted historical patriarchal role to women. Move over, Ken, it’s retribution time for the years, the centuries, of male domination and oppression. After all, revenge is a dish best served cold.
What can leave the movie-goer somewhat off balance is the way the film conflates two issues. On the one hand, it might be viewed as an indictment of any exploitative social structure. Retribution would thus be seen in the same way that, say, the bourgeoisie deserved every bashing it took under Soviet communism as the Zhivago family retreated to a corner of their Moscow mansion where the proletariat abused their former masters and broke up the furniture for firewood.
The film’s literal coloring (ubiquitous pink), however, would suggest something more targeted i.e. the deconstruction of masculinity itself. People come in two models: women, good, nice; men, the heavier, hairier life-form. The “manly” virtues (bravery, strength, discipline, and, egad, the very idea of machismo) remain admirable only by being quietly reassigned to women. The best a man can say for himself is that he is harmless.
Like Ken…
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